Feb 16, 2017
Associate van der Dawes,
There are actually three distinct sections to the treaty that allows the Golden Lance to operate in Rosemerrow, and I came upon them quite strangely, in three different ways. At first, I received the end of the document, a series of bound pages traded to me in exchange for a collection of measuring spoons. The document did not identify the parties; Presumably this occurred in the introduction, and for this reason I did not know what I had. And then, after several weeks, the introduction came into my possession, slipped between the second and third chapters of a copy of an old law book that smelled of sea salt. That city in the south, the city on the island was mentioned, as were “Lance Nobles,” as was a system of justice and governance that was as fiery as it was sure. Combining the two, it became clear that an agreement had been made. In exchange for their services, the Golden Lance were granted the jurisdiction to operate within the boundaries of Rosemerrow. There was a map. There were ringed circles and careful measurements. It had been signed, and countersigned.
The third part came to me yesterday, and the document was complete. I say “came to me,” but that is a lie, for it had been sitting on my personal bookshelf for a period of two years. I believed it to be a novel. I believed it to be a work of fiction, a fractured procedural, as much a puzzle as a detective story. Paperwork. Folded silk. A woman becoming a flock of birds. The East Wind described at once as a person and a phenomenon. Knives stolen from slaughtermen and sold to tailors.
When I reviewed the untitled work, back at the Archives, as part of my departmental review of literature, I had no idea that I was holding in my hands the final piece of the Lance Charter, Author Unknown. But I was.
This week on Friends at the Table: The Importance of Names
Elgash, my man, how many times do I have to tell you? Just cause something "isn't a novel" doesn't mean that it isn't a novel. The people who wrote these things—treaties, contracts, accords—they're all story tellers, too. What, you think the Golden Lance could've just sent in a piece of parchmant like "Hey, let us come through and do some of that hard justice in Rosemerrow?" There is no—and has never been—any difference between a very good story and a very good argument. Anyway, man, I'll be back from Westshore tomorrow. Lemme get a look at that third part before you file it away, alright?
Cover Art by Craig Sheldon (@shoddyrobot)
Episode description by Jack de Quidt, Austin Walker
Music by Jack de Quidt